スイスZHDKでのグループ展に私の作品が出展しました。
スイスZHDKでのグループ展に私の作品が出展しました。
ポスター 《Bio Archive Drawer》
スイスチューリッヒにあるチューリッヒ芸術大学Die Zürcher Hochschule der Künste（略称ZHdK）のギャラリー にて企画展「Bio Archive Drawer」展に参加しました。キュレーターは美術館のRicyYuanさんです。
スイス、アメリカ、中国、日本といろんな国アーティストが参加し、
バイオアートをテーマにした展覧会になっています。
ポスター
江上越参加作品 Etsu Egami 「This is not a Mis-hearing game」
Abstract
The project is titled “Bio Art Archive Drawer (BAAD) - Absence of the Authority”, which composes of theoretical perspectives and curatorial practice. The theoretical perspectives part researches the origin, history and definition of Bio Art. The thesis interprets the particular influence of Bio Art within the broader realm of human social civilization and contemporary art, quoting from two different approaches: “Exploring artifi- cial intelligence utilizing BioArt. (Simou, Tiligadis, & Alexiou, 2013)” and “The Two Cultures and the Scientific Revolution (C.P.SNOW, 1959)”. The exhibition case study includes two examples from Haus der elektronischen (Basel, Switzerland) and ZKM Zentrum Fu R Kunst und Medientechnologie (Karls- ruhe, Germany), respectively discussing in the direction of curatorial strategy and mode of interaction with the audience.
In terms of the second part, curatorial practice brings together various Bio Art and new media artworks that utilize different approaches to address the topic. Namely, BAAD reflects human social civilisation and sciences by blending contemporary art and anthropology presentation methods. The exhibition will present its totality by a large amount of articles, images, videos, documentaries and prints, which would develop narrative influxes. The exhibition consists of materials in relation
to the practices of a graphic design duo, new media artists and Bio-artist from Switzerland, Japan and China.
The establishment of the BAAD will enable artists to create small, close-knit networks, platform their work, and have their work understood through new angles. BAAD aims to arouse audience’s diachronic and design thinking about the nature of biology, art, and naturally Bio Art itself. It dematerialises
the art object and provides an open-ended messaging platform in which viewers are prompted to draw their own conclusions as to the “message” of the material. Furthermore, it demystifies this highly specialised genre of art, making it accessible and tangible.
The exhibition will provide open answers and evolving status to allow the audience to abandon the ideologism or depend- ence on the curator’s intention. Curator empowers the audience with supreme independence and intact freedom to understand artworks, as well as the space of interpretation. The openness of BAAD, to some extent, challenges the authority of curator itself. BAAD does not emphasize the unimportance of the curator’s stand, but encourages the audience to read this exhibition in the “removal of the authority” manner.
7–15 July 2018
Exhibition “Bio Art Archive Drawer–Absence of the Authority” Artist: Bienvenue Publishing, Egami Etsu, Sara Rutz, Yongjian Su Curator: Rui Yuan
Oncurating Project Space, Zurich, Switzerland Opening: Friday, 6 July 2018, 19:30
